We now know, between this and Bosman’s piece, even without details of the accusations or reports printed in the Times, or the far worse accusations listed in the “Shitty Media Men” list, that these are glaringly honest portrayals of Stein’s priorities at the helm of the Paris Review. Unfortunately.
Also unfortunate was the error in Bosman’s piece naming Stein as the third editor to “hold the title in the magazine’s 58-year history, and the second to follow George Plimpton, himself a legendary New York social figure.” Stein was actually the fourth. Brigid Hughes, the editor who succeeded George Plimpton, had been inexplicably left out of the profile. She was also not mentioned in the piece announcing Stein’s successorship of Philip Gourevitch; although there was no factual error, she was simply ignored.
Lurking inside every website or app that relies on “user-generated content”—so, Facebook, YouTube, Twitter, Instagram, Pinterest, among others—there is a hidden kind of labor, without which these sites would not be viable businesses. Content moderation was once generally a volunteer activity, something people took on because they were embedded in communities that they wanted to maintain.
But as social media grew up, so did moderation. It became what the University of California, Los Angeles, scholar Sarah T. Roberts calls, “commercial content moderation,” a form of paid labor that requires people to review posts—pictures, videos, text—very quickly and at scale.
Sunday morning at 11 AM: I park my car at the corner of Bedford and Gates on a Tuesday street parking spot. I check the signs. I’m good. I go about my day.
Monday at 7:15 PM: Arrive back at the spot where my car was parked to move it for street cleaning. My car’s not there. What is there are a bunch of cones and a new sidewalk. Ok, seems like the car got towed. Who towed the car?
7:20 PM: Get home and search the NYC towed car database for my plates. No dice.