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Thursday, May 3, 2018

Ribbon Cutting Ceremony History: Why Are The Scissors So Big?, by Ernie Smith, Tedium

As should be made clear from these maritime anecdotes, ribbon cuttings were, from the start, dedicated to large events that required the work of lots of people, and often prominent people to do the honors of cutting those ribbons. New buildings are a great example of things that often invite a ribbon-cutting ceremony; bridges, even better. One thing appears to be clear, at least in terms of how we consider it today: The phenomenon of ribbon cuttings was nonexistent before the late 19th century, and barely on the radar during the early 20th century.

How BMG’s Music Club Made Me A Better Reader And Broke My Mother’s Heart, by Kristin Keane, Electric Literature

One day an envelope arrived with the word “COLLECTIONS” stamped across the front. I knew that word — it was one my mother cautioned about when she lectured us about credit cards. A first, a second, and then final version of an official-looking letter came, formed in a boilerplate template quite different than the others and lacking the excess of exclamation marks, check-box options and catalogue selections. No Sting. No Chris Isaac. I was in trouble.

A Debut Novel. A Tiny Press. A Pulitzer Finalist., by Lawrence Downes, New York Times

Though many of its elements are familiar to the point of being worn out — saloons and wagon trains, Indians and gold prospectors — the novel is not. Mr. Diaz’s long study of North American literature, much of it steeped in the 19th century, allowed him to expertly plunder an antique genre for parts. The rebuilt mechanism is his own design, and it moves in unexpected directions: west to east, around in circles, down into the earth, and north to Alaska.

Which makes “In the Distance” an uncanny achievement: an original Western.

Can A Woman Find True Love With A Handsome Fish?, by Aimee Bender, Washington Post

For an author who has primarily written poetry and nonfiction, and who is clearly comfortable with a confessional voice, Broder uses the fantastical elements to complicate and deepen her novel. The climactic conclusion works because of its strangeness, because of its imaginative reach and implications. Although some of Lucy’s psychological discoveries along the way may feel a bit indistinct, other insights ring strong and true, and the ending carries the emotional weight of the book because it is borne from the world Broder has created.