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Saturday, July 14, 2018

Fear Of The Deeps: On Alain Guiraudie’s “Now The Night Begins”, by Alex Wermer-Colan, Los Angeles Review of Books

While I hope Guiraudie’s novel will draw interest from jaded literati and disgruntled laymen alike (plus everyone in between), I’d like to think that it will also give the lie to their moral outrage, perhaps even proffer nourishment for their empathy. We listen to a narrator like Gilles because we want to know what makes him tick, and because we want to understand why someone we find unreliable and immoral can still remind us so much of ourselves. Few readers, I think, will be able to overlook in the lineaments of the narrator’s monologue the reflection of their own bad faith. In this sense, Alain Guiraudie’s Now the Night Begins is just the sort of queer decadence that the Trump era had coming. May it prove appealing, then, to those who deserve to be disturbed by it.

In 'The Cost Of Living,' Renouncing Serenity For A Life In Motion, by Lily Meyer, NPR

The Cost of Living is filled with the feeling of travel, and yet one of its main preoccupations is home. Levy is clearly not sorry to have sold the house where she lived with her husband. "To strip the wallpaper off the fairy tale of The Family House in which the comfort and happiness of men and children have been the priority," she writes, "is to find behind it an unthanked, unloved, neglected, exhausted woman." Levy has been that woman for years, trying to "please everyone all the time in a bid for approval, home, children, and love." No wonder that now she wants motion.

In 'The Secret Habit Of Sorrow,' Victoria Patterson Is At The Top Of Her Game, by Michael Schaub, Los Angeles Times

“The Secret Habit of Sorrow” is a deeply somber book, but that just serves to make the few moments of triumph all the more affecting — for some of her characters, surviving at all is a kind of victory. There’s not a story in the book that’s less than great; it’s a stunningly beautiful collection by a writer working at the top of her game.

A French Novelist Imagined Sexual Dystopia. Now It’s Arrived., by Adam Kirsch, New York Times

For the last 25 years, in novel after novel, Houellebecq has advanced a similar critique of contemporary sexual mores. And while Houellebecq has always been a polarizing figure — admired for his provocations, disdained for his crudeness — he has turned out to be a writer of unusual prescience. At a time when literature is increasingly marginalized in public life, he offers a striking reminder that novelists can provide insights about society that pundits and experts miss. Houellebecq, whose work is saturated with brutality, resentment and sentimentality, understood what it meant to be an incel long before the term became common.