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Friday, April 3, 2020

The Woman Who Lives 200,000 Years In The Past, by Katherine Rowland, Outside Magazine

There is no easy way to reach Twisp, a blink of a town in north-central Washington’s Methow Valley. You could fly into Spokane and cut northwest for 175 miles. Or you could take a turboprop from Seattle over the mountains to the world’s apple capital, Wenatchee, and then get in a car and follow the Columbia River north for two hours. Or you could drive, as I’m doing, from Seattle through the electric moss of the North Cascades, slowing to a crawl through the ice-menaced range.

It’s November 2019, and I’m on my way to meet Lynx Vilden, a 54-year-old British expat who, for most of her adult life, has lived wholly off the grid. The slick roads don’t help my apprehension about what lies ahead: a three-day, one-on-one experience of “living wild.” The details are hazy. I’ve been advised to prepare for bracing climes and arduous excursions. “Wear sturdy shoes,” Lynx told me. “Bring meat.”

I’m four months pregnant and prone to sudden bouts of drowsiness, so after a roadside nap turns a one-hour delay into two, I send a text message to Lynx telling her I’ll be late. Only later do I realize how presumptive this is: she doesn’t have cell service or WiFi.

Editorial Visions, by Stephanie Gorton, Laphams Quarterly

In the 1890s, empire building was in the air in New York, and magazine editors succumbed to the craze. As President Theodore Roosevelt sent troops to Cuba and the Philippines, the magazine men—they were nearly all men—had quieter plans to extend their influence. They used their brands to sell model homes, universities, and other offerings of middle-class life. It was, after all, the Progressive Era, when technological innovations and post-Victorian values were supposed to hasten the arrival of a more enlightened, egalitarian social order. Before the concept of branding even existed, these new magazine ventures represented an exercise in branding. But woven into this phenomenon lay a stealth traditionalism, a new way of packaging the often conservative, sometimes quixotic visions of a few titans of the press.

The Joys Of Teaching Poker To Your Kids, by The Economist

To sceptics, poker conjures up images of casinos, late nights and smoky back rooms—all places inappropriate for kids. That outmoded caricature need not trouble people playing in quarantined homes, at reasonable hours and without cigars. And, yes, poker is a form of gambling, but it is primarily a game of skill and nerve.

The Steps, by Rae Armantrout, New York Review of Books

I take a step back
and it’s like dancing.

But what would it mean
to “return to my roots”?